William Blake: Image and Imagination in Milton
Andrew Welch
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901
Works Cited & Further Reading
"The Recording Angel"
Illustrations to Dante's "Divine Comedy", 1824-1827, Blake Archive, National Gallery of Victoria
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Bentley,
G.E. Jr. Blake Books.
Oxford: Clarendon, 1977.
---. “Blake's Works as Performances: Intentions and Inattentions.” 1988. Ecdotica 6: Anglo- American Scholarly Editing, 1980-2005. Eds. Paul Eggert and Peter Shillingsburg. Rome: Carocci Editore, 2009. 136-156. PDF.
---. “Final Intention or Protean Performance: Classical Editing Theory and the Case of William Blake.” Editing in Australia (1990): 169-178.
Blake, William. The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. Berkeley and Los Angeles, CA: University of California Press, 1982.
---. Milton: a Poem, and the Final Illuminated Works. Eds. Robert N. Essick and Joseph Viscomi. Princeton, NJ: Princeton UP, 1993.
---. The William Blake Archive. Eds. Morris Eaves, Robert N. Essick, and Joseph Viscomi. <www.blakearchive.org>.
Bloom, Harold. Blake's Apocalypse: A Study in Poetic Argument. Ithaca, NY: Cornell UP, 1963.
---. “Commentary.” The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. Berkeley and Los Angeles, CA: University of California Press, 1982. 894-970.
Bracher, Mark. Being Form'd: Thinking Through Blake's Milton. New York, NY: Clinamen Studies, Station Hill Press, 1985.
Carr, Stephen Leo. “Illuminated Printing: Towards a Logic of Difference.” Unnam'd Forms: Blake and Textuality. Eds. Nelson Hilton and Thomas A. Vogler. Berkeley and Los Angeles, CA: University of California Press, 1986. 177-196.
Chaudhuri, Sukanta. The Metaphysics of Text. New York, NY: Cambridge UP, 2010.
Clarke, Steve. "'Labouring at the Resolute Anvil': Blake's Response to Locke." Blake in the Nineties. Eds. Steve Clark and David Worrall. London: Macmillan, 1990. 133-152.
Damon, S. Foster. A Blake Dictionary: The Ideas and Symbols of William Blake. Ed. Morris Eaves. Hanover, NH: University Press of New England, 1988.
De Luca, V.A. “A Wall of Words: The Sublime as Text.” Unnam'd Forms: Blake and Textuality. Eds. Nelson Hilton and Thomas A. Vogler. Berkeley and Los Angeles, CA: University of California Press, 1986. 218-241.
---. Words of Eternity: Blake and the Poetics of the Sublime. Princeton, NJ: Princeton University Press, 1991.
Deleuze, Gilles. Pure Immanence: Essays on A Life. Trans. Anne Boyman. New York, NY: Zone Books, 2001.
Drucker, Johanna. Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York, NY: Granary Press, 1998.
Erdman, David. Blake: Prophet Against Empire. Princeton, NJ: Princeton UP, 1954.
Essick, Robert N. “How Blake's Body Means.” Unnam'd Forms: Blake and Textuality. Eds. Nelson Hilton and Thomas A. Vogler. Berkeley and Los Angeles, CA: University of California Press, 1986. 197-217.
---. William Blake, Printmaker. Princeton, NJ: Princeton UP, 1980.
Frye, Northrop. Fearful Symmetry: A Study of William Blake. 1947. Ed. Nicholas Halmi. The Collected Works of Northrop Frye, vol. 14. Toronto: University of Toronto Press, 2004.
---. “Notes for a Commentary on Milton.” 1955. Northrop Frye on Milton and Blake. Ed. Angela EsterHammer. The Collected Works of Northrop Frye, vol. 16. Toronto: University of Toronto Press, 2005. 239-265.
Glausser, Wayne. Locke and Blake: A Conversation Across the Eighteenth Century. Gainesville, FL: University of Florida Press, 1998.
Green, Matthew J.A. Visionary Materialism in the Early Works of William Blake: The Intersection of Enthusiasm and Empiricism. New York, NY: Palgrave Macmillan, 2005.
Grimes, Ronald L. “Time and Space in Blake's Major Prophecies.” Blake's Sublime Allegory: Essays on The Four Zoas, Milton, Jerusalem. Eds. Stuart Curran and Joseph Anthony Wittreich, Jr. Madison, WI: The University of Wisconsin Press, 1973. 59-82.
Hagstrum, Jean H. William Blake: Poet and Painter: An Introduction to the Illuminated Verse. Chicago, IL: University of Chicago Press, 1964.
Hilton, Nelson. Literal Imagination: Blake's Vision of Words. Berkeley, CA: University of California Press, 1983.
Iser, Wolfgang. “Interaction Between Text and Reader.” The Book History Reader. Eds. David Finkelstein and Alistair McCleery. New York, NY: Routledge, 2002. 291-296.
Jones, John H. “Blake's Production Methods.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. New York, NY: Palgrave Macmillan, 2006.
Kraus, Kari. “'Once Only Imagined': An Interview with Morris Eaves, Robert N. Essick, and Joseph Viscomi.” Studies in Romanticism 41 (Summer 2002): 143-199.
McGann, Jerome J. “The Aim of Blake's Prophecies and the Uses of Blake Criticism.” Blake's Sublime Allegory: Essays on The Four Zoas, Milton, Jerusalem. Eds. Stuart Curran and Joseph Anthony Wittreich, Jr. Madison, WI: The University of Wisconsin Press, 1973. 3- 22.
---. The Textual Condition. Princeton, NJ: Princeton UP, 1991.
Milton, John. Paradise Lost. The Riverside Milton. Ed. Roy Flannagan. Boston, MA: Houghton, 1998. 348-710.
Mitchell, W. J. T. Blake's Composite Art: A Study of the Illuminated Poetry. Princeton, NJ: Princeton UP, 1978.
---. Picture Theory: Essays on Verbal and Visual Representation. University of Chicago Press, 1994.
Otto, Peter. “Blake's Composite Art.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. New York: Palgrave Macmillan, 2006.
Pierce, John B. The Wond'rous Art: William Blake and Writing. Madison, NJ: Fairleigh Dickinson UP, 2003.
Peterfreund, Stuart. William Blake in a Newtonian World. Norman, OK: University of Oklahoma Press, 1998.
Raine, Kathleen. Blake and Tradition. Princeton, NJ: Princeton UP, 1968.
Santa Cruz Blake Study Group. Review of The Complete Poetry and Prose of William Blake, ed. David V. Erdman. Blake/An Illustrated Quarterly 18 (Summer 1984): 4-30.
Snart, Jason Allen. The Torn Book: UnReading William Blake's Marginalia. Cranbury, NJ: Rosemont Publishing & Printing Corp., 2006.
Tanselle, G. Thomas. A Rationale of Textual Criticism. Philadelphia, PA: University of Pennsylvania Press, 1989.
Viscomi, Joseph. Blake and the Idea of the Book. Princeton, NJ: Princeton UP, 1993.
---. “William Blake, Illuminated Books, and the Concept of Difference.” Romantic Poetry: Recent Revisionary Criticism. Eds. Karl Kroeber and Gene W. Ruoff. New Brunswick, NJ: Rutgers UP, 1993. 63-87.
Williams, Nicholas M. “Introduction.: Understanding Blake.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. New York: Palgrave Macmillan, 2006.
---. “Blake's Works as Performances: Intentions and Inattentions.” 1988. Ecdotica 6: Anglo- American Scholarly Editing, 1980-2005. Eds. Paul Eggert and Peter Shillingsburg. Rome: Carocci Editore, 2009. 136-156. PDF.
---. “Final Intention or Protean Performance: Classical Editing Theory and the Case of William Blake.” Editing in Australia (1990): 169-178.
Blake, William. The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. Berkeley and Los Angeles, CA: University of California Press, 1982.
---. Milton: a Poem, and the Final Illuminated Works. Eds. Robert N. Essick and Joseph Viscomi. Princeton, NJ: Princeton UP, 1993.
---. The William Blake Archive. Eds. Morris Eaves, Robert N. Essick, and Joseph Viscomi. <www.blakearchive.org>.
Bloom, Harold. Blake's Apocalypse: A Study in Poetic Argument. Ithaca, NY: Cornell UP, 1963.
---. “Commentary.” The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. Berkeley and Los Angeles, CA: University of California Press, 1982. 894-970.
Bracher, Mark. Being Form'd: Thinking Through Blake's Milton. New York, NY: Clinamen Studies, Station Hill Press, 1985.
Carr, Stephen Leo. “Illuminated Printing: Towards a Logic of Difference.” Unnam'd Forms: Blake and Textuality. Eds. Nelson Hilton and Thomas A. Vogler. Berkeley and Los Angeles, CA: University of California Press, 1986. 177-196.
Chaudhuri, Sukanta. The Metaphysics of Text. New York, NY: Cambridge UP, 2010.
Clarke, Steve. "'Labouring at the Resolute Anvil': Blake's Response to Locke." Blake in the Nineties. Eds. Steve Clark and David Worrall. London: Macmillan, 1990. 133-152.
Damon, S. Foster. A Blake Dictionary: The Ideas and Symbols of William Blake. Ed. Morris Eaves. Hanover, NH: University Press of New England, 1988.
De Luca, V.A. “A Wall of Words: The Sublime as Text.” Unnam'd Forms: Blake and Textuality. Eds. Nelson Hilton and Thomas A. Vogler. Berkeley and Los Angeles, CA: University of California Press, 1986. 218-241.
---. Words of Eternity: Blake and the Poetics of the Sublime. Princeton, NJ: Princeton University Press, 1991.
Deleuze, Gilles. Pure Immanence: Essays on A Life. Trans. Anne Boyman. New York, NY: Zone Books, 2001.
Drucker, Johanna. Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York, NY: Granary Press, 1998.
Erdman, David. Blake: Prophet Against Empire. Princeton, NJ: Princeton UP, 1954.
Essick, Robert N. “How Blake's Body Means.” Unnam'd Forms: Blake and Textuality. Eds. Nelson Hilton and Thomas A. Vogler. Berkeley and Los Angeles, CA: University of California Press, 1986. 197-217.
---. William Blake, Printmaker. Princeton, NJ: Princeton UP, 1980.
Frye, Northrop. Fearful Symmetry: A Study of William Blake. 1947. Ed. Nicholas Halmi. The Collected Works of Northrop Frye, vol. 14. Toronto: University of Toronto Press, 2004.
---. “Notes for a Commentary on Milton.” 1955. Northrop Frye on Milton and Blake. Ed. Angela EsterHammer. The Collected Works of Northrop Frye, vol. 16. Toronto: University of Toronto Press, 2005. 239-265.
Glausser, Wayne. Locke and Blake: A Conversation Across the Eighteenth Century. Gainesville, FL: University of Florida Press, 1998.
Green, Matthew J.A. Visionary Materialism in the Early Works of William Blake: The Intersection of Enthusiasm and Empiricism. New York, NY: Palgrave Macmillan, 2005.
Grimes, Ronald L. “Time and Space in Blake's Major Prophecies.” Blake's Sublime Allegory: Essays on The Four Zoas, Milton, Jerusalem. Eds. Stuart Curran and Joseph Anthony Wittreich, Jr. Madison, WI: The University of Wisconsin Press, 1973. 59-82.
Hagstrum, Jean H. William Blake: Poet and Painter: An Introduction to the Illuminated Verse. Chicago, IL: University of Chicago Press, 1964.
Hilton, Nelson. Literal Imagination: Blake's Vision of Words. Berkeley, CA: University of California Press, 1983.
Iser, Wolfgang. “Interaction Between Text and Reader.” The Book History Reader. Eds. David Finkelstein and Alistair McCleery. New York, NY: Routledge, 2002. 291-296.
Jones, John H. “Blake's Production Methods.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. New York, NY: Palgrave Macmillan, 2006.
Kraus, Kari. “'Once Only Imagined': An Interview with Morris Eaves, Robert N. Essick, and Joseph Viscomi.” Studies in Romanticism 41 (Summer 2002): 143-199.
McGann, Jerome J. “The Aim of Blake's Prophecies and the Uses of Blake Criticism.” Blake's Sublime Allegory: Essays on The Four Zoas, Milton, Jerusalem. Eds. Stuart Curran and Joseph Anthony Wittreich, Jr. Madison, WI: The University of Wisconsin Press, 1973. 3- 22.
---. The Textual Condition. Princeton, NJ: Princeton UP, 1991.
Milton, John. Paradise Lost. The Riverside Milton. Ed. Roy Flannagan. Boston, MA: Houghton, 1998. 348-710.
Mitchell, W. J. T. Blake's Composite Art: A Study of the Illuminated Poetry. Princeton, NJ: Princeton UP, 1978.
---. Picture Theory: Essays on Verbal and Visual Representation. University of Chicago Press, 1994.
Otto, Peter. “Blake's Composite Art.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. New York: Palgrave Macmillan, 2006.
Pierce, John B. The Wond'rous Art: William Blake and Writing. Madison, NJ: Fairleigh Dickinson UP, 2003.
Peterfreund, Stuart. William Blake in a Newtonian World. Norman, OK: University of Oklahoma Press, 1998.
Raine, Kathleen. Blake and Tradition. Princeton, NJ: Princeton UP, 1968.
Santa Cruz Blake Study Group. Review of The Complete Poetry and Prose of William Blake, ed. David V. Erdman. Blake/An Illustrated Quarterly 18 (Summer 1984): 4-30.
Snart, Jason Allen. The Torn Book: UnReading William Blake's Marginalia. Cranbury, NJ: Rosemont Publishing & Printing Corp., 2006.
Tanselle, G. Thomas. A Rationale of Textual Criticism. Philadelphia, PA: University of Pennsylvania Press, 1989.
Viscomi, Joseph. Blake and the Idea of the Book. Princeton, NJ: Princeton UP, 1993.
---. “William Blake, Illuminated Books, and the Concept of Difference.” Romantic Poetry: Recent Revisionary Criticism. Eds. Karl Kroeber and Gene W. Ruoff. New Brunswick, NJ: Rutgers UP, 1993. 63-87.
Williams, Nicholas M. “Introduction.: Understanding Blake.” Palgrave Advances in William Blake Studies. Ed. Nicholas M. Williams. New York: Palgrave Macmillan, 2006.
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