Women, Class & Art Nouveau in The Yellow Book
Sasha Ramlall
Ryerson University
Sharp challenges the normative idea of women through her character Anna. By giving her the adventure that many women in the 1890's may have felt, wanting to escape the scrutiny of clothing and potent grace, Anna is able to experience what it felt like to be in a lower class occupation and generally feel happy about it. In the same way, D.Y. Cameron displays the women in his picture to be wearing a lower cut dress that reveals her breasts, an image that would have caused uproar in the public view. Through women representation, The Yellow Book is able to depict their own images of ‘deviant’ females through their front covers of women reading, prostitutes, actresses, masqueraders, and un-courted women dancing (B. J. 5). By embracing women's bodies and personalities as unique characteristics, ex. models, rather then all women having to abide by one uniformly option, ex. the housewife, The Yellow Book enhanced Women's potential for equality in the public view, even if they were against it. |
WOMEN EMPOWERMENT
According
to Roberts, author of A Woman’s Place: An Oral History of Working Class Women
1890-1940, women often went to finish their schooling, find a job and await for
their marriage proposal, in which they would have to quit everything prior to
and raise a family (64). However, The Yellow Book incorporates a freedom where women
could be represented in anyway they wished and not necessarily have to do what was socially expected
of them. Such was the case for Anna when she made her own career choice and the un-certainty if
she marries Askett for love or not at all. Cameron's “Vanity” also shows a women's freedom of choice through her spontaneous clothing. |
CONCLUSION
My cultural context of women, class, and art were significant attributions to The Yellow Book’s depiction in women representation and their freedom. Based on “The Other Anna” and “Vanity’s portrayal’s, the women depicted became model’s, which was considered a sinful life for lower class women, and are able to express their gratitude and excitement in experiencing the life of a different class. The Yellow Book is able to take the scandalous career’s and clothing that women were condemned to experience in the 1890’s and incorporate it into their literature and artwork as though it were the norm. Thus concluding that to 1890’s Women suffragist’s The Yellow Book was more than just a periodical magazine, but a place to freely write how they had hoped societal ideals would change in the way they thought would better suit gender equality.
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