During the 1890s, there were many female performers, like Yvette Guilbert, that frequented the music hall. However, not all of these female performers grew to have presences beyond the stage. Actually, the vast majority of female music hall performers would not grow to attain celebrity status as Guilbert did. A major contributor to making a female performer into a celebrity was the media of the time (Pendley-Hindson 110). Things such as articles, images, and interviews of and about the performer were prevalent in newspapers and magazines (Hindson 126). All of this press coverage worked to make the performer relevant in the cultural landscape. Perhaps, the inclusion of Makower’s text is an example of this essential pop culture propaganda. This is not to suggest that a publication such as the Yellow Book would sell its pages for publicity, but rather that in a time when publications and the cultural landscape was saturated with images of these celebrities and so perhaps Makower’s text mirrors that cultural landscape. This would reveal the extent to which the influence and image of the celebrity would reach, as a text which was assumed to be a sort of counterculture product would feature someone that is the product of the masses. This would also perhaps relate to Sickert’s “The Old Oxford Music Hall” as images of celebrities, the people who would perform in music halls, were even more common than texts.