Musical Performance, Audience, and Class Relations: The Yellow Book Blurs the Lines
Roxanne Frazer
Ryerson University
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The content of The Yellow Book stretched
the boundaries on what Victorian society deemed socially acceptable, while simultaneously
delivering a certain distinction which suggests that it was crafted for a class
higher than the working class. The volumes were in hardcover and bound like a novel,
which suggest a permanence not normally credited to a regular magazine. This
feature alone gives the publication an air of quality. The Yellow
Book showcased scholarly essays and pristine prose meant for persons of a
certain level of education not usually found in Victorian working class. However, some content in The Yellow Book was often referred to, by critics, as unfavorable.With
this problematic stance, the content in The Yellow Book could appeal to a lower
class by presenting themes concerning their interests, as in the case of both
the image and text featured in this exhibit, while presenting itself as a
worthwhile publication with other entries which encourage people of the upper
class to own it, despite the reviews. Therefore, The Yellow Book blurs the lines of intended audience, and consequently class relations as well.
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Beardsley’s ink-and-pen drawing "Comedy-Ballet of the Marionettes III" aptly depicts a performance on stage; three actors in
costume and in motion. One actor is clearly in clothes that are usually worn
underneath garments. At the bottom of the picture, musicians are shown playing
several different musical instruments and a conductor leads the band. True to
Aubrey Beardsley’s art style, the picture is strange in its outlandish
presentation of what appears to be a male dressed in a female’s costume and another
in undergarments flanking what looks to be a female who has a mask in her hand.
They appear to be moving to the music being provided by the figures below the
stage. These figures have various instruments and there is a conductor present.
A review of The Yellow Book volume 2 in a national newspaper used the words “ungainly”
and “repulsive” to describe the series of drawings to which this illustration
belongs ("Dulness in Yellow"). Therefore, according to the critics, these drawings were
unfavorable. In defence of the review, Beardsley's drawing truly is unusual and a bit eccentric for this point in time. However, it was in keeping with a type of comical style that a
plebeian audience in the late 19th century might require of a music
hall performance (Senelick 151). |