My9s
Creative Commons License
This exhibit has not been peer reviewed.  [Return to Group]  [Printer-friendly Page] 

[Peter Bayless] Evolution, Degeneration, Imagination: The Specter of Moral, Social and Physical Mutability in The Leisure Hour

pbayless

Elizabeth Hely Walshe’s novel The Ferrol Family was serialized in the pages of The Leisure Hour between January 5th and March 29th of 1860. The novel is not a famous one or even familiar one--in fact, it is so obscure that chances are if one knows about it, one is either a particularly committed scholar of mid-century Victorian publishing or has happened across it through pure serendipity. There is by most standards nothing exceptionally remarkable in the text itself, at least when one considers it to those whom history has treated more kindly--the works of the Dickenses, Braddons, and Collinses, as it were, of the period. What does make The Ferrol Family interesting, for our purposes, are two facts, one deliberate and one an accident of history. The deliberate: The Ferrol Family was written for and bought by The Leisure Hour, a family magazine produced by the Religious Tract Society as a reaction to a perceived lack of wholesomeness in the magazines and publications of the day. Its inclusion in those pages constituted an endorsement by the sort of thinkers and gatekeepers who were attempting to frame and harness the moral imagination of mid-Victorian Britain. The accidental: The Ferrol Family’s run in The Leisure Hour took place less than two months after Charles Darwin’s seminal and famous work, On The Origin of Species, was published.

 What resulted was a vignette of an intersection being played out across the educated society of the day between the decades-old moral imagination and the nascent scientific one. Though The Ferrol Family does not breathe a word of Darwin in its pages and only mentions medical science in passing, its themes demonstrate a fertile ground for the hybridization of the new evolutionary theory with extant fears of moral decay. The fears of degeneration thus produced in turn intersected with and reinforced pseudoscientific beliefs about race and criminality. These beliefs would continue to grow clearer and gain weight through the fin-de-siecle and beyond, but the pages of The Leisure Hour in the first months of 1860 offer a window into their germination, a glimpse all the more striking, once unearthed, for its innocent obscurity.

Aside: The Leisure Hour and the Religious Tract Society

Picture
The title page of the Leisure Hour's premier issue.
The Religious Tract Society was formed by George Burder, a minister, in 1799, but did not expand out of its original eponymous function and into the market for periodicals until the 1820s. The Leisure Hour began publication in 1852 and aimed to compete with other, more secular and “melodramatic” magazines of its type. Like them, it featured as the centerpiece of each issue an installment of serial fiction, intended, however, to be of a “self-improving” rather than merely titillating or sensational nature; The Ferrol Family was only one in a long series of such pieces. Elsewhere, it featured columns on subjects that included popular science and history; these, however, secular or physical though they might be, were calculated to also be “of an uplifting character” (Lloyd et al.). The magazine that was synthesized out of these disparate and previously-profane sources reflected a larger shift in tactics on the part of the Society, wherein it adapted itself (or “evolved,” if one wishes to be cute) to meet the demands for popular entertainment and thus preserve the relevance and viewership of its message. As Beth Palmer writes, by the era of The Leisure Hour the Society had overcome both an “evangelical dislike” of fiction and its original, exclusively theological focus to provide both the serial fiction and the popular-science interest pieces with whose convergence this exhibit is concerned.
Picture
This look at one of the indexes offers a representative sample of the variety of subjects covered by the magazine.